101 Things I Learned (TM) in Film School（ISBN=9780446550277） mobi 百度云 txt pdb 下载 lrf pdf 地址

How to set a scene? What's the best camera angle? How does the

new technology interact with scenes? And how does one even get the

financing to make a movie?

These basic questions and much more are all covered in this

exquisite packaged book on the film industry and making movies as a

profession. Written by Neil Landau, an experienced screenwriter and

* consultant to the major movie studios, this is the perfect

book for anyone who wants to know about the inner-workings of this

industry. Whether it's someone who wants to make movies as a

full-timecareer, or just someone who is interested in film, this

book covers it all.

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Neil Landau's credits include writing for and producing for

Universal Pictures, Disney, Columbia Pictures, and 20th Century

Fox. He's worked on such diverse projects as "Melrose Place,"

"Doogie Howser MD," MTV's "Undressed," and "Don't Tell Mom the

Babysitter's Dead."

He currently serves as a faculty advisor in the MFA Writing Program

at Goddard College and teaches at the UCLA School of Theatre, Film

and Television.

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角色最好使用演出而非解释的方式来呈现。利用精心设计的视觉线索，把看不见的内心转折、隐秘往事和情绪冲突展现出来，效果会比直接说明好很多。

背景故事指的是影片开始之前发生的事情：童年的创伤，新近的危机，长久的积怨，实际场景的历史，等等。最好是借由随意偶然但效果十足的线索，以拐弯抹角的方式把背景故事透露出来。

如果股市缺乏张力，通常是因为：1.没有把面临威胁的东西界定清楚；2.面临威胁的东西不够有分量；3.对手不足以构成威胁。

注意：

想好你的主题，也就是把你的电影构想浓缩在一句话里面。如果你想不出来，那表示你的构想还不到可以简报的程度。

清楚说明电影的类型、调性、时代范围和主要场景。

介绍主角，说明他或她有什么吸引人的魅力。

把电影的开头、中间和结尾说得栩栩如生，引人入胜，要特别强调其中的情感冲突。不用巨细靡遗。

情节指的是电影里发生的事情；故事指的是主角对于这些事情的感受。

要将小说改编成电影剧本需要经过非常困难的翻转过程：要把明确变隐约，把无形变有形。

书籍介绍

How to set a scene? What's the best camera angle? How does the new technology interact with scenes? And how does one even get the financing to make a movie? These basic questions and much more are all covered in this exquisite packaged book on the film industry and making movies as a profession. Written by Neil Landau, an experienced screenwriter and script consultant to the major movie studios, this is the perfect book for anyone who wants to know about the inner-workings of this industry. Whether it's someone who wants to make movies as a ful l -timecareer, or just someone who is interested in film, this book covers it all